Recording
Panasonic LX100 as a vlogging camera
2016-09-01 · 13 min
Machine transcript · wording, timing and speaker attribution may be wrong
Wording, speaker labels, and timestamps can still be wrong. A transcript does not establish that statements in the recording are factual. Use the source links and surrounding context.
Source information & transcript revisions
Transcript revisions
- rev_2b9e84ae43615bbe75e4ed4b7bb75467Machine-generated and unreviewed; may be wrong; not a verified quotation.enraw_asractive204 segments
Transcript
So we're gonna do a little microphone
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0:01–0:02 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_0testing. Testing, testing. And now we're
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0:03–0:06 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_1gonna put my hand behind the microphone
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0:06–0:10 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_2holes and we're gonna see if the audio
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0:11–0:14 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_3sounds any better like this. Any
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0:14–0:17 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_4difference? Any difference? Hey, so today
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0:18–0:22 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_5I want to try making a full vlog just
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0:22–0:24 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_6using this camera, but like I said before,
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0:25–0:26 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_7the audio sounds pretty terrible, but I
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0:26–0:29 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_8realized that if you cup your hand like
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0:29–0:30 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_9this over the 2— no, not over, just behind
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0:30–0:34 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_10the 2 microphone holes, it does improve
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0:34–0:36 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_11audio quality a lot more, a lot better.
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0:36–0:39 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_12So I'm gonna make a little contraption,
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0:39–0:41 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_13see if this is gonna help anything. We're
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0:42–0:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_14gonna stick some cardboard right behind
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0:44–0:47 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_15the microphone holes, see if
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0:47–0:51 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_16it improves things. I'm thinking about
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0:51–0:54 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_17putting it right here, like right on
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0:54–0:58 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_18there.
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0:58–0:58 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_19Look at
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1:05–1:11 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_20this, I've done it, I've done it! Look,
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1:13–1:15 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_21so I've got the cardboard sticking up.
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1:15–1:17 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_22Hopefully it should stay like this. I
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1:18–1:20 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_23guess if it's windy, it's gonna move
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1:21–1:23 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_24around a bit. That's not very good.
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1:23–1:24 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_25Also, the sellotape's making a bit of
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1:27–1:28 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_26noise, so if it's windy, it's going to be
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1:29–1:31 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_27like making noise, isn't it? That's not
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1:32–1:34 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_28good. But the microphone holes are— crap,
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1:35–1:39 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_29now it's broken. It's not very good,
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1:39–1:41 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_30isn't it? What, what happened? It's like
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1:41–1:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_31broken here. The microphone holes are
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1:45–1:47 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_32here, 1 and 2, so they're not being
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1:48–1:49 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_33blocked or covered up. But this bit keeps
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1:49–1:53 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_34falling forwards. I want it to be like
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1:54–1:56 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_35Okay, so now I'm outside, as you can tell.
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2:04–2:07 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_36It's really strange using this camera
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2:09–2:11 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_37because I can't see what I'm recording,
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2:11–2:14 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_38and I don't know how it's gonna sound or
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2:16–2:20 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_39how it's gonna look. I don't even know if
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2:20–2:22 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_40I'm in focus right now. I don't know.
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2:22–2:26 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_41I guess I could show you stuff.
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2:26–2:28 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_42So this is a— I don't know what this
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2:31–2:34 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_43is because it's not focusing.
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2:34–2:36 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_44Focus, focus.
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2:42–2:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_45Now there we go, there we go. See, it
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2:46–2:49 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_46looks quite nice, doesn't it? It has nice
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2:49–2:51 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_47background blur. The only problem is it
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2:51–2:53 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_48doesn't focus very fast.
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2:54–2:54 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_49So the reason why I bought this camera
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2:57–2:59 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_50was, was a person in Japan, he lent me his
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3:00–3:03 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_51Canon 5D and And I went out and took
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3:03–3:06 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_52photos, and I really enjoyed it. The
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3:06–3:08 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_53photos were amazing. You could like blur
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3:09–3:10 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_54out the background and do all these
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3:11–3:12 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_55artistic photos, and I really wanted a
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3:12–3:14 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_56camera that could do that but was a lot
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3:15–3:16 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_57smaller. So I decided to buy this camera
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3:16–3:19 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_58just for photos, but now I don't really
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3:20–3:22 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_59take many photos, and I'm wondering why I
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3:22–3:25 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_60have this camera. And I really wanted a
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3:25–3:28 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_61better quality camera for videos because
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3:28–3:30 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_62all I have right now is my smartphone and
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3:30–3:33 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_63a Sony WX500, and they're
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3:33–3:37 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_64okay, but they don't look great, and you
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3:37–3:39 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_65can't blur out the background, which I
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3:40–3:42 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_66have like an obsession with blurring out
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3:42–3:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_67the background because it looks so nice.
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3:44–3:46 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_68Anyway, I kind of want to sell this camera
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3:47–3:50 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_69now because I want to get a camera that
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3:51–3:53 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_70has a flip screen. Like, I wish I had my
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3:53–3:56 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_71old camera back, the Sony A 5100,
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3:56–3:59 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_72or is it 5100? But the only problem is
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4:00–4:02 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_73this camera, I bought it in Japan, so
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4:02–4:04 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_74there's no English settings, and I'm in
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4:05–4:07 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_75England, so it's going to be difficult to
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4:08–4:09 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_76set it because most people want to be able
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4:09–4:12 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_77to understand the menu.
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4:12–4:13 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_78I don't know why. Like, when you buy a
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4:16–4:18 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_79camera in the UK, they have all these
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4:18–4:20 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_80different language settings, don't they?
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4:20–4:22 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_81They have English, French, German,
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4:22–4:24 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_82Chinese. But when you buy a camera in
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4:24–4:26 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_83Japan, you only get Japanese. They're so,
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4:27–4:29 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_84they're so selfish like that. They only
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4:30–4:33 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_85think about themselves. They don't think
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4:33–4:34 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_86maybe a foreigner might buy this camera
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4:35–4:36 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_87and might need to change the language
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4:37–4:38 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_88settings. But no, they're like, oh no,
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4:38–4:40 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_89this is Japan, you have to do everything
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4:40–4:42 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_90in Japanese because this is Japan and we
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4:42–4:45 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_91only speak Japanese. It's kind of like,
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4:45–4:47 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_92I don't know, I feel like it's kind of
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4:49–4:50 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_93selfish of them, but Whatever, it's their
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4:51–4:52 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_94country. It's their camera, their camera
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4:53–4:55 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_95brand, isn't it?
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4:56–4:56 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_96Panasonic.
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4:57–5:00 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_97I have to say that there's a good thing
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5:03–5:05 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_98about not being able to flip the screen
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5:05–5:07 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_99round. You don't keep looking at yourself.
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5:07–5:09 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_100One of the problems with people who make
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5:10–5:11 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_101vlogs is they flip the screen over and
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5:12–5:14 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_102then they keep looking at their face
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5:15–5:16 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_103because they want to check how they look.
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5:16–5:17 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_104And it's a bit weird sometimes. Like, I'm
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5:18–5:21 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_105talking to you, but I'm looking over there
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5:22–5:23 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_106when really I should be looking into the
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5:23–5:25 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_107lens. I just noticed this lens is covered
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5:25–5:27 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_108in dust. Anyway, I should be looking into
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5:28–5:31 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_109the lens because it's like I'm talking to
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5:31–5:33 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_110you, I'm looking into your eyes. But it
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5:33–5:36 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_111can be hard to do that when you have a
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5:36–5:37 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_112flip screen and you're constantly looking
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5:38–5:39 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_113at your own face. Also, I get kind of
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5:39–5:43 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_114worried, like I wonder if I look okay. Is
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5:43–5:45 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_115my hair okay? Do I have something on my
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5:45–5:47 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_116face? So that's why I like to have a flip
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5:47–5:49 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_117screen. But maybe I should stop
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5:49–5:53 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_118showing you my face and show you some
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5:53–5:55 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_119other stuff, because this
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5:55–6:00 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_120camera does look pretty good. I mean,
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6:01–6:02 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_121look at that. The only problem
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6:03–6:06 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_122is it doesn't focus very quickly. But when
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6:07–6:10 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_123it does focus, things do look pretty nice.
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6:10–6:12 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_124Zoom in a bit. If you zoom in, you can get
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6:13–6:16 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_125a nicer effect.
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6:16–6:17 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_126But the zoom's really slow as well, like
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6:21–6:22 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_127it takes ages for it to zoom in and out.
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6:23–6:24 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_128You can change it to manual focus. There,
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6:27–6:30 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_129that's a lot better, isn't it?
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6:30–6:31 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_130Okay, the closest I can focus is, is this
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6:35–6:38 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_131far, but the depth of field is so shallow
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6:38–6:41 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_132it's really hard to get it all in focus.
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6:42–6:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_133I guess you have to change the aperture a
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6:44–6:46 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_134bit. Yeah, I'll change the aperture to—
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6:46–6:48 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_135how about 6, 6.3?
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6:50–6:52 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_136Looks like that. It's really difficult.
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6:53–6:56 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_137Let me play around with the focus a bit.
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6:59–7:01 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_138See, if I do that,
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7:02–7:03 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_139then it looks quite nice.
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7:08–7:10 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_140Let's put it back into autofocus.
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7:14–7:16 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_141It's nice because there's lots of buttons
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7:18–7:20 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_142on this camera. You don't have to fiddle
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7:20–7:21 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_143around in menus, you can just press the
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7:22–7:23 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_144physical buttons. So here
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7:23–7:30 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_145an apple. Looks pretty nice,
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7:32–7:35 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_146doesn't it?
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7:36–7:36 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_147See, again, the autofocus is pretty slow,
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7:39–7:42 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_148but the— it just blurs out the background
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7:46–7:48 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_149so nicely. It's just so pleasing to look
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7:49–7:51 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_150at. So pretty.
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7:51–7:55 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_151Also, you know I put that piece of
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8:01–8:02 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_152cardboard on the top of the camera? I'm
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8:03–8:05 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_153not sure if the audio is going to sound
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8:05–8:07 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_154bad when I talk from behind the cardboard
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8:07–8:10 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_155like this. It might sound a bit muffled,
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8:11–8:13 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_156but hopefully it should sound better when
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8:14–8:15 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_157I've got the camera facing towards me. I
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8:16–8:19 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_158guess we'll find out later.
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8:19–8:21 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_159Insects everywhere.
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8:29–8:30 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_160So I'd be interested to know what you
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8:40–8:42 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_161thought about how this video looks. I use
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8:42–8:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_162a lot of cameras, mainly because I have a
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8:45–8:47 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_163lot of spare time and I like fiddling
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8:47–8:49 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_164around. So this is my 3rd camera.
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8:49–8:52 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_165I have— my first camera is the smartphone
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8:53–8:55 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_166Samsung S6, which has really good quality
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8:55–8:59 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_167audio because I bought a microphone for
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8:59–9:01 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_168it, but the video quality is the worst.
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9:01–9:04 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_169It doesn't look great. Then I have the
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9:04–9:05 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_170Sony WX500. Video quality is not bad.
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9:06–9:09 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_171It's a bit better than my smartphone.
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9:09–9:11 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_172Audio is also not too bad.
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9:12–9:13 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_173It also has a really nice long zoom. But
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9:15–9:17 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_174you can't really blur out the background.
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9:18–9:18 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_175And then I have this camera, the ED-X100,
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9:19–9:21 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_176which the audio is pretty terrible. And
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9:21–9:25 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_177the only way I could— there's a car, it's
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9:25–9:29 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_178a car. Okay, car's gone. The only way I
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9:29–9:31 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_179could think of to fix the audio was to put
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9:32–9:35 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_180this piece of cardboard on top of it to
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9:35–9:37 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_181try and capture more sound. But the image
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9:37–9:40 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_182quality is so nice, it looks really nice,
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9:41–9:43 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_183and I like the way it blurs out the
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9:43–9:44 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_184background. Like, it has that professional
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9:45–9:47 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_185kind of look, but it doesn't have a flip
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9:48–9:51 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_186screen, so it's kind of hard to do that.
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9:51–9:52 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_187I don't know if I'm in focus. Hopefully
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9:52–9:56 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_188I'm in focus. And also the autofocus
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9:56–10:00 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_189is a bit sluggish. So which one do
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10:01–10:04 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_190you like better? Samsung S6, WX500, or the
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10:04–10:07 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_191LX100? I don't know which one I like
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10:07–10:10 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_192better. I like them all for different
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10:11–10:12 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_193reasons. Like, I like the way the Samsung
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10:12–10:15 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_194S6 sounds better and it's easier to hold.
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10:15–10:17 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_195I like the way the WX500 has a flip screen
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10:18–10:20 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_196and it looks nice and it has a nice zoom.
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10:21–10:22 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_197I like the way the LX100 blurs out the
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10:23–10:25 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_198background. So I just
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10:25–10:29 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_199wish that I could combine them all into
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10:29–10:32 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_200one camera that does everything that I
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10:32–10:34 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_201want. It to do.
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10:34–10:35 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_202Camera problems, it never ends.
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10:38–10:39 · rev_2b9e84ae43615bbe75e4ed4b7bb75467_203