Recording
How to Paint a Face with Acrylic Brushes - Painting Tutorial [iPad Pro]
2023-06-25 · 8 min
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- rev_a262424e5ea6ff8cdad4410137d93cfaMachine-generated and unreviewed; may be wrong; not a verified quotation.enraw_asractive175 segments
Transcript
Hello and welcome back to a new video.
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0:05–0:07 · rev_a262424e5ea6ff8cdad4410137d93cfa_0So today I want to show you how I painted
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0:07–0:10 · rev_a262424e5ea6ff8cdad4410137d93cfa_1a face using the acrylic brushes in
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0:10–0:12 · rev_a262424e5ea6ff8cdad4410137d93cfa_2Procreate on my iPad Pro.
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0:13–0:15 · rev_a262424e5ea6ff8cdad4410137d93cfa_3So I guess you could say this is kind of a
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0:15–0:17 · rev_a262424e5ea6ff8cdad4410137d93cfa_4different way of doing a face than what I
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0:17–0:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_5usually do.
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0:19–0:20 · rev_a262424e5ea6ff8cdad4410137d93cfa_6Usually I would start off with very clean
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0:20–0:23 · rev_a262424e5ea6ff8cdad4410137d93cfa_7and thick black outlines for the eyes and
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0:23–0:26 · rev_a262424e5ea6ff8cdad4410137d93cfa_8the features of the face, And that's like
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0:26–0:28 · rev_a262424e5ea6ff8cdad4410137d93cfa_9a very easy way of doing a face.
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0:28–0:30 · rev_a262424e5ea6ff8cdad4410137d93cfa_10I felt like doing a face this way is a lot
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0:30–0:33 · rev_a262424e5ea6ff8cdad4410137d93cfa_11more challenging and has more of a
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0:33–0:35 · rev_a262424e5ea6ff8cdad4410137d93cfa_12painterly kind of style.
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0:35–0:37 · rev_a262424e5ea6ff8cdad4410137d93cfa_13And we're going to be starting off by just
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0:37–0:39 · rev_a262424e5ea6ff8cdad4410137d93cfa_14laying out like an egg shape, a human egg
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0:40–0:42 · rev_a262424e5ea6ff8cdad4410137d93cfa_15shape of a head, and blocking out some
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0:42–0:45 · rev_a262424e5ea6ff8cdad4410137d93cfa_16skin color, dark shades, and light tones,
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0:45–0:49 · rev_a262424e5ea6ff8cdad4410137d93cfa_17whilst also doing some of the features of
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0:49–0:51 · rev_a262424e5ea6ff8cdad4410137d93cfa_18the face using a dark brown color.
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0:51–0:53 · rev_a262424e5ea6ff8cdad4410137d93cfa_19Now over the course of this video, you'll
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0:54–0:56 · rev_a262424e5ea6ff8cdad4410137d93cfa_20notice that she starts off looking really
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0:56–0:59 · rev_a262424e5ea6ff8cdad4410137d93cfa_21ugly and like a deformed weirdo and slowly
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0:59–1:03 · rev_a262424e5ea6ff8cdad4410137d93cfa_22gets slightly more attractive towards the
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1:04–1:06 · rev_a262424e5ea6ff8cdad4410137d93cfa_23end of the video.
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1:06–1:07 · rev_a262424e5ea6ff8cdad4410137d93cfa_24Although, you know, it wasn't completely
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1:07–1:10 · rev_a262424e5ea6ff8cdad4410137d93cfa_25possible to make her really beautiful
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1:10–1:12 · rev_a262424e5ea6ff8cdad4410137d93cfa_26because, you know, sometimes you just
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1:12–1:13 · rev_a262424e5ea6ff8cdad4410137d93cfa_27start off with a face and it doesn't
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1:13–1:16 · rev_a262424e5ea6ff8cdad4410137d93cfa_28matter how much you try to fix it, they
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1:16–1:18 · rev_a262424e5ea6ff8cdad4410137d93cfa_29were just born ugly.
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1:18–1:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_30So unfortunately this was the best I could
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1:19–1:21 · rev_a262424e5ea6ff8cdad4410137d93cfa_31do with this person, but I think she came
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1:22–1:25 · rev_a262424e5ea6ff8cdad4410137d93cfa_32out not looking too bad anyway.
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1:25–1:27 · rev_a262424e5ea6ff8cdad4410137d93cfa_33So we started off with the darker shades
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1:27–1:29 · rev_a262424e5ea6ff8cdad4410137d93cfa_34of skin and applied some highlights onto
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1:29–1:32 · rev_a262424e5ea6ff8cdad4410137d93cfa_35the cheeks, the chins, the nose, and some
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1:32–1:36 · rev_a262424e5ea6ff8cdad4410137d93cfa_36highlights on the forehead.
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1:36–1:37 · rev_a262424e5ea6ff8cdad4410137d93cfa_37And we did have to move the eyes around
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1:38–1:39 · rev_a262424e5ea6ff8cdad4410137d93cfa_38because they look kind of weird.
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1:39–1:41 · rev_a262424e5ea6ff8cdad4410137d93cfa_39And as you can see, the mouth area looks
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1:41–1:44 · rev_a262424e5ea6ff8cdad4410137d93cfa_40kind of weird at this moment as well.
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1:44–1:45 · rev_a262424e5ea6ff8cdad4410137d93cfa_41So we also block in the colors for the
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1:45–1:48 · rev_a262424e5ea6ff8cdad4410137d93cfa_42hair, starting off with dark brown and
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1:48–1:50 · rev_a262424e5ea6ff8cdad4410137d93cfa_43then adding in darker highlights coming in
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1:50–1:53 · rev_a262424e5ea6ff8cdad4410137d93cfa_44from the root of the scalp.
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1:53–1:55 · rev_a262424e5ea6ff8cdad4410137d93cfa_45Also adding some nice orange highlights.
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1:55–1:57 · rev_a262424e5ea6ff8cdad4410137d93cfa_46I wanted to go for like a brownie, mousy
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1:58–2:00 · rev_a262424e5ea6ff8cdad4410137d93cfa_47brown, orangey kind of bob cut.
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2:00–2:03 · rev_a262424e5ea6ff8cdad4410137d93cfa_48I guess it's called a bob cut.
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2:03–2:05 · rev_a262424e5ea6ff8cdad4410137d93cfa_49I'm not really sure what kind of hairstyle
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2:05–2:07 · rev_a262424e5ea6ff8cdad4410137d93cfa_50this is called, but I like to give it— I
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2:07–2:09 · rev_a262424e5ea6ff8cdad4410137d93cfa_51would like to give her this kind of
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2:09–2:10 · rev_a262424e5ea6ff8cdad4410137d93cfa_52tomboyish look, you know.
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2:11–2:12 · rev_a262424e5ea6ff8cdad4410137d93cfa_53Maybe she doesn't really care too much
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2:12–2:14 · rev_a262424e5ea6ff8cdad4410137d93cfa_54about fashion and looking super girly, but
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2:14–2:17 · rev_a262424e5ea6ff8cdad4410137d93cfa_55she still looks kind of cute naturally
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2:17–2:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_56anyway.
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2:19–2:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_57I would say the main challenge and
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2:20–2:22 · rev_a262424e5ea6ff8cdad4410137d93cfa_58difficulty of this project was choosing
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2:22–2:24 · rev_a262424e5ea6ff8cdad4410137d93cfa_59the correct tones for the skin.
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2:24–2:26 · rev_a262424e5ea6ff8cdad4410137d93cfa_60Now you could say, why don't you just go
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2:27–2:28 · rev_a262424e5ea6ff8cdad4410137d93cfa_61for dark brown?
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2:28–2:29 · rev_a262424e5ea6ff8cdad4410137d93cfa_62And yeah, you could do like a dark brown
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2:29–2:31 · rev_a262424e5ea6ff8cdad4410137d93cfa_63for the shade shadows of the skin, but
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2:32–2:34 · rev_a262424e5ea6ff8cdad4410137d93cfa_64dark brown looks kind of boring.
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2:34–2:35 · rev_a262424e5ea6ff8cdad4410137d93cfa_65So I wanted to add a bit of color, and I
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2:35–2:38 · rev_a262424e5ea6ff8cdad4410137d93cfa_66went for more of like an orangey brown for
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2:38–2:40 · rev_a262424e5ea6ff8cdad4410137d93cfa_67the shadows of the
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2:40–2:41 · rev_a262424e5ea6ff8cdad4410137d93cfa_68skin.
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2:44–2:44 · rev_a262424e5ea6ff8cdad4410137d93cfa_69If you're wondering what brush I'm using,
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2:45–2:47 · rev_a262424e5ea6ff8cdad4410137d93cfa_70I'm using the wet acrylic brush.
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2:47–2:49 · rev_a262424e5ea6ff8cdad4410137d93cfa_71I did try the normal acrylic brush and
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2:50–2:52 · rev_a262424e5ea6ff8cdad4410137d93cfa_72that was okay too, but I liked how the wet
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2:52–2:54 · rev_a262424e5ea6ff8cdad4410137d93cfa_73acrylic just seems to flow better and it
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2:55–2:59 · rev_a262424e5ea6ff8cdad4410137d93cfa_74also blends with the other colors more
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2:59–3:01 · rev_a262424e5ea6ff8cdad4410137d93cfa_75easily than the normal acrylic brush.
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3:01–3:04 · rev_a262424e5ea6ff8cdad4410137d93cfa_76So I feel like the acrylic brush was
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3:04–3:07 · rev_a262424e5ea6ff8cdad4410137d93cfa_77better.
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3:07–3:07 · rev_a262424e5ea6ff8cdad4410137d93cfa_78I did try the oil brush, but the oil brush
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3:07–3:10 · rev_a262424e5ea6ff8cdad4410137d93cfa_79is just like a massive smudgy mess, and
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3:10–3:12 · rev_a262424e5ea6ff8cdad4410137d93cfa_80it's basically like using the smudge tool.
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3:12–3:14 · rev_a262424e5ea6ff8cdad4410137d93cfa_81It smudges everything so much, it's just
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3:14–3:17 · rev_a262424e5ea6ff8cdad4410137d93cfa_82basically impossible to paint anything
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3:18–3:20 · rev_a262424e5ea6ff8cdad4410137d93cfa_83with the oil brush, I feel.
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3:20–3:22 · rev_a262424e5ea6ff8cdad4410137d93cfa_84So after finishing most of the face and
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3:27–3:29 · rev_a262424e5ea6ff8cdad4410137d93cfa_85deciding where the highlights are gonna
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3:29–3:31 · rev_a262424e5ea6ff8cdad4410137d93cfa_86be, I started to experiment with different
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3:31–3:34 · rev_a262424e5ea6ff8cdad4410137d93cfa_87colors for the background because just a
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3:34–3:36 · rev_a262424e5ea6ff8cdad4410137d93cfa_88pure white background kind of boring to
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3:36–3:39 · rev_a262424e5ea6ff8cdad4410137d93cfa_89look at.
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3:39–3:39 · rev_a262424e5ea6ff8cdad4410137d93cfa_90I settled for this nice turquoisey blue.
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3:39–3:42 · rev_a262424e5ea6ff8cdad4410137d93cfa_91Some call it cyan, but you know, I don't
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3:43–3:46 · rev_a262424e5ea6ff8cdad4410137d93cfa_92really know what the official colors of
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3:46–3:47 · rev_a262424e5ea6ff8cdad4410137d93cfa_93every single shade of color is called, so
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3:47–3:50 · rev_a262424e5ea6ff8cdad4410137d93cfa_94I just called it like a bluish color.
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3:50–3:52 · rev_a262424e5ea6ff8cdad4410137d93cfa_95And I added some of the blue to the hair
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3:53–3:56 · rev_a262424e5ea6ff8cdad4410137d93cfa_96as highlights, kind of like the hair is
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3:56–3:58 · rev_a262424e5ea6ff8cdad4410137d93cfa_97reflecting some of the background, so it
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3:58–4:01 · rev_a262424e5ea6ff8cdad4410137d93cfa_98feels like the background is actually in
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4:01–4:03 · rev_a262424e5ea6ff8cdad4410137d93cfa_99the background and and the character is
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4:03–4:05 · rev_a262424e5ea6ff8cdad4410137d93cfa_100still there in front of it.
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4:05–4:07 · rev_a262424e5ea6ff8cdad4410137d93cfa_101So I put the colors of the background on
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4:07–4:09 · rev_a262424e5ea6ff8cdad4410137d93cfa_102the face as well, so it looks like the
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4:09–4:12 · rev_a262424e5ea6ff8cdad4410137d93cfa_103light of the background is hitting the
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4:12–4:13 · rev_a262424e5ea6ff8cdad4410137d93cfa_104character, even though, I don't know,
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4:13–4:16 · rev_a262424e5ea6ff8cdad4410137d93cfa_105maybe she's in like a room with 4 walls
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4:16–4:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_106that all have this background color.
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4:19–4:20 · rev_a262424e5ea6ff8cdad4410137d93cfa_107Because the background's behind her,
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4:21–4:22 · rev_a262424e5ea6ff8cdad4410137d93cfa_108technically the light of the background
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4:22–4:24 · rev_a262424e5ea6ff8cdad4410137d93cfa_109wouldn't be hitting the front of her face,
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4:24–4:26 · rev_a262424e5ea6ff8cdad4410137d93cfa_110it'd be hitting the back of her head.
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4:26–4:27 · rev_a262424e5ea6ff8cdad4410137d93cfa_111But that doesn't really matter, because at
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4:28–4:30 · rev_a262424e5ea6ff8cdad4410137d93cfa_112the end of the day, What is actually
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4:30–4:32 · rev_a262424e5ea6ff8cdad4410137d93cfa_113physically possible is less important than
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4:32–4:35 · rev_a262424e5ea6ff8cdad4410137d93cfa_114what looks good.
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4:35–4:36 · rev_a262424e5ea6ff8cdad4410137d93cfa_115That's always been my rule.
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4:36–4:38 · rev_a262424e5ea6ff8cdad4410137d93cfa_116I don't care if the sun is coming up from
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4:39–4:41 · rev_a262424e5ea6ff8cdad4410137d93cfa_117the right, but if the character looks
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4:41–4:43 · rev_a262424e5ea6ff8cdad4410137d93cfa_118better with the light sources hitting the
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4:43–4:45 · rev_a262424e5ea6ff8cdad4410137d93cfa_119left side of her face instead of the right
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4:45–4:47 · rev_a262424e5ea6ff8cdad4410137d93cfa_120side, then I would just disobey the laws
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4:47–4:51 · rev_a262424e5ea6ff8cdad4410137d93cfa_121of physics.
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4:51–4:52 · rev_a262424e5ea6ff8cdad4410137d93cfa_122Because I mean, this is my painting, I can
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4:52–4:54 · rev_a262424e5ea6ff8cdad4410137d93cfa_123do whatever the hell I want.
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4:54–4:55 · rev_a262424e5ea6ff8cdad4410137d93cfa_124It's my little world I've created.
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4:56–4:57 · rev_a262424e5ea6ff8cdad4410137d93cfa_125I don't care if it's not possible for
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4:58–5:00 · rev_a262424e5ea6ff8cdad4410137d93cfa_126light to bend around the character.
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5:00–5:02 · rev_a262424e5ea6ff8cdad4410137d93cfa_127Maybe in my world it is possible.
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5:03–5:04 · rev_a262424e5ea6ff8cdad4410137d93cfa_128I can do whatever the hell I want, okay?
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5:04–5:06 · rev_a262424e5ea6ff8cdad4410137d93cfa_129So we're kind of doing the finishing
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5:09–5:10 · rev_a262424e5ea6ff8cdad4410137d93cfa_130touches to the face.
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5:10–5:11 · rev_a262424e5ea6ff8cdad4410137d93cfa_131I feel like it came out pretty well.
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5:11–5:13 · rev_a262424e5ea6ff8cdad4410137d93cfa_132I did have to make massive adjustments to
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5:13–5:16 · rev_a262424e5ea6ff8cdad4410137d93cfa_133her oversized chin and jaw, which seems to
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5:16–5:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_134be a problem I often make, is I make the
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5:19–5:21 · rev_a262424e5ea6ff8cdad4410137d93cfa_135chin too big and then they look kind of
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5:21–5:23 · rev_a262424e5ea6ff8cdad4410137d93cfa_136manly.
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5:23–5:23 · rev_a262424e5ea6ff8cdad4410137d93cfa_137I'm trying to work on that.
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5:24–5:25 · rev_a262424e5ea6ff8cdad4410137d93cfa_138I think this one came out okay.
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5:25–5:26 · rev_a262424e5ea6ff8cdad4410137d93cfa_139I like the blue eyes and added some darker
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5:26–5:30 · rev_a262424e5ea6ff8cdad4410137d93cfa_140blacks around the eyes to make them pop a
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5:30–5:32 · rev_a262424e5ea6ff8cdad4410137d93cfa_141little bit more.
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5:32–5:33 · rev_a262424e5ea6ff8cdad4410137d93cfa_142I also added some purple highlights around
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5:33–5:35 · rev_a262424e5ea6ff8cdad4410137d93cfa_143the face and the hair to make her a bit
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5:35–5:37 · rev_a262424e5ea6ff8cdad4410137d93cfa_144more colorful looking.
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5:37–5:38 · rev_a262424e5ea6ff8cdad4410137d93cfa_145Overall, I do feel like this came out
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5:42–5:43 · rev_a262424e5ea6ff8cdad4410137d93cfa_146looking pretty good, even though it's not
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5:43–5:45 · rev_a262424e5ea6ff8cdad4410137d93cfa_147a style of doing a face that I'm usually
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5:45–5:48 · rev_a262424e5ea6ff8cdad4410137d93cfa_148used to because I'm used to just sketching
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5:48–5:51 · rev_a262424e5ea6ff8cdad4410137d93cfa_149out the complete face in black lines first
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5:51–5:54 · rev_a262424e5ea6ff8cdad4410137d93cfa_150and then adding color.
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5:54–5:55 · rev_a262424e5ea6ff8cdad4410137d93cfa_151So starting off with the color and then
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5:55–5:58 · rev_a262424e5ea6ff8cdad4410137d93cfa_152adding the details on later is— for me,
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5:58–6:01 · rev_a262424e5ea6ff8cdad4410137d93cfa_153it's like doing everything back to front,
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6:01–6:03 · rev_a262424e5ea6ff8cdad4410137d93cfa_154doing it in reverse.
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6:03–6:04 · rev_a262424e5ea6ff8cdad4410137d93cfa_155So it was kind of a strange but also
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6:04–6:06 · rev_a262424e5ea6ff8cdad4410137d93cfa_156interesting little experiment to play
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6:06–6:09 · rev_a262424e5ea6ff8cdad4410137d93cfa_157around doing things in a different way
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6:09–6:12 · rev_a262424e5ea6ff8cdad4410137d93cfa_158than how I usually do them.
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6:12–6:13 · rev_a262424e5ea6ff8cdad4410137d93cfa_159But I think that's also an important part
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6:14–6:17 · rev_a262424e5ea6ff8cdad4410137d93cfa_160of growth and self-improvement is when you
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6:17–6:19 · rev_a262424e5ea6ff8cdad4410137d93cfa_161try and break out of how you usually do
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6:19–6:22 · rev_a262424e5ea6ff8cdad4410137d93cfa_162things and try something new.
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6:22–6:24 · rev_a262424e5ea6ff8cdad4410137d93cfa_163So I hope you like my painting using the
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6:25–6:27 · rev_a262424e5ea6ff8cdad4410137d93cfa_164acrylic brushes on Procreate.
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6:27–6:29 · rev_a262424e5ea6ff8cdad4410137d93cfa_165I used an Apple Pencil as well on an iPad
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6:30–6:32 · rev_a262424e5ea6ff8cdad4410137d93cfa_166Pro, if you're wondering what gear I used.
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6:32–6:35 · rev_a262424e5ea6ff8cdad4410137d93cfa_167And the software used to make this was
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6:36–6:37 · rev_a262424e5ea6ff8cdad4410137d93cfa_168called Procreate, very good piece of
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6:37–6:40 · rev_a262424e5ea6ff8cdad4410137d93cfa_169software which actually records and each
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6:40–6:42 · rev_a262424e5ea6ff8cdad4410137d93cfa_170of your brush strokes and allows you to
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6:42–6:44 · rev_a262424e5ea6ff8cdad4410137d93cfa_171turn it into a time-lapse video.
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6:44–6:46 · rev_a262424e5ea6ff8cdad4410137d93cfa_172Very handy for making YouTube videos.
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6:46–6:48 · rev_a262424e5ea6ff8cdad4410137d93cfa_173So thanks for watching and goodbye.
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6:50–6:52 · rev_a262424e5ea6ff8cdad4410137d93cfa_174